DesertEagleXIX
12-19-2008, 04:06 PM
One has to appreciate the bravado of developer Spark Unlimited in naming their latest game, Legendary. While the title brings together an assortment of antagonists culled from literary and oral tradition, one expects the gameplay to be illustrious in nature. Although it is unlikely critics will be discussing Legendary’s merits in years to come, the title still offers a decent, yet blemished journey for first person shooter fans.
The game opens as main character Charles Deckard attempts to pilfer Pandora’s Box, which is on display at a prominent New York museum. While Deckard may be a master crook; he’s no authority of mythology; he unknowingly opens the artifact and releases havoc upon our world. While the narrative may lack sophistication, the game’s blending of mythological creatures in urban settings is a wonderful intermingling that is reminiscent of critical darling The Darkness. Like Spark Unlimited’s, Turning Point: Fall of Liberty, that saw an alternative universe where the Nazis were victorious during WWII, gameplay doesn’t quite measure up to the title’s narrative possibilities.
Controlling Deckard is functional, but lacks refinement. Players use the two stick control method traditional of most shooters, but the title lacks Halo 3’s subtle target tracking or Call of Duty 4’s aim assist. Players will know ballistics will connect with adversaries when the targeting reticule changes from blue to red. While this is serviceable, it is also exploitable for long-range foes half-buried in cover. Strangely, the game's vertical jump is vastly underpowered; clearing ground debris is often cumbersome.
continued: http://tech-gaming.com/2008/12/19/murderous-minotaurs-and-lethal-lycanthropes-legendary-reviewed.aspx
The game opens as main character Charles Deckard attempts to pilfer Pandora’s Box, which is on display at a prominent New York museum. While Deckard may be a master crook; he’s no authority of mythology; he unknowingly opens the artifact and releases havoc upon our world. While the narrative may lack sophistication, the game’s blending of mythological creatures in urban settings is a wonderful intermingling that is reminiscent of critical darling The Darkness. Like Spark Unlimited’s, Turning Point: Fall of Liberty, that saw an alternative universe where the Nazis were victorious during WWII, gameplay doesn’t quite measure up to the title’s narrative possibilities.
Controlling Deckard is functional, but lacks refinement. Players use the two stick control method traditional of most shooters, but the title lacks Halo 3’s subtle target tracking or Call of Duty 4’s aim assist. Players will know ballistics will connect with adversaries when the targeting reticule changes from blue to red. While this is serviceable, it is also exploitable for long-range foes half-buried in cover. Strangely, the game's vertical jump is vastly underpowered; clearing ground debris is often cumbersome.
continued: http://tech-gaming.com/2008/12/19/murderous-minotaurs-and-lethal-lycanthropes-legendary-reviewed.aspx