No one should miss out on Six Feet Under...one of my most favorite tv series ever...
from wikipedia...
Plot overview
See also: List of Six Feet Under episodes The show stars
Peter Krause as
Nathaniel Samuel ("Nate") Fisher Jr., the son of a
funeral director who, upon the death of his father, reluctantly becomes a partner in the family funeral business with his brother
David, played by
Michael C. Hall. The Fisher clan also includes mother
Ruth (
Frances Conroy) and sister
Claire (
Lauren Ambrose). Other regulars include mortician and family friend
Federico Diaz (
Freddy Rodriguez), Nate's on again off again girlfriend
Brenda Chenowith (
Rachel Griffiths), and David's boyfriend
Keith Charles (
Mathew St. Patrick).
On one level, the show is a conventional family drama, dealing with such issues as
relationships,
infidelity, and
religion. At the same time, it is a show distinguished by its unblinking focus on the topic of
death, which it explores on multiple levels (personal, religious, and philosophical), rather than, say, treating it as a convenient impetus for the solution of a murder. Each episode begins with a death — anything from
drowning or
heart attack to
Sudden Infant Death Syndrome — and that death usually sets the tone for each episode, allowing the characters to reflect on their current fortunes and misfortunes in a way that is illuminated by the death and its aftermath. The show also has a strong dosage of black humor running throughout.
A recurring plot device consists of a character having an imaginary conversation with the person who died at the beginning of the episode. Sometimes, the conversation is with other recurring dead characters, notably Nathaniel Fisher Sr. They represent the living character's internal dialogue by exposing it as an external conversation. Casual conversations with the dead also reflect the genre of
magical realism. A similar device is occasionally used where a real conversation between two living characters slips into the imaginary and becomes unrealistic. The shift cannot be clearly distinguished from the normal flow of the scene until an abrupt cut brings the audience back to a mundane conversation, which reveals through contrast the imaginary nature of the preceding moment.