Presented in 1080p utilizing the AVC codec (at an average bitrate of 26Mbps), The Godfather looks better than I ever thought possible. The restoration efforts by Robert Harris and the MPI group are nothing short of amazing, especially when you consider the exhaustive effort they put into tracking down negatives with the least damage. One of the highlights on the boxed set of the complete collection is an informative documentary by Francis Ford Coppola, Robert Harris (restoration expert), and Gordon Willis (cinematographer), covering the restoration process in detail. Those of you who never viewed The Godfather during the days of VHS or any other point during the past 38 years should take the opportunity to witness the level of effort required to restore the film.
Now that we have that out of the way, I should make it abundantly clear this is an exquisite restoration that pays homage to the original intent of the filmmakers. It's not meant as demo-worthy material for your new HD display, and may seem off-putting to newcomers of the film. The original layers of grain are left intact, skin tones vary in shade from scene to scene, and there are abrupt reductions in fine object detail. Those who don't know better might pass these off as worrisome elements, but this is precisely how the film was created to look. Adding to the stylistic nature of the cinematography, the color palette reveals a constant push toward yellow, facial tones dance from red to orange, and blacks crush every last detail in the backgrounds. In many cases we'd consider these tendencies a bit troublesome (if this were a recent production), but given the age of the film and creative manner in which Coppola and Willis transport viewers back to a distant point in American history, I wouldn't want it any other way. For long-time fans this is a true revelation, so there's never been a better time to experience the rich visual style of Coppola's masterpiece.