Go to http://www.saulwilliams.com to download it for free and if you enjoy, pay the 5 bucks.
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Amazing news.
Help out real hip-hop and the new revolution in music by paying $5 for non-DRM 192kbps MP3, 320kbps MP3 or FLAC (your choice). Of course you could download it for free if you want but show your support.
[quote name=' What you are getting']You will first be asked to enter your e-mail address. This is where you will receive the download link when the album becomes available on November 1.
If you choose to pay for the record, your download will be available in the following formats:
192Kbps MP3
320Kbps MP3
FLAC lossless audio
If you choose not to pay for the record, you will receive it in 192Kbps MP3 format.
All versions include a PDF with artwork and lyrics
All files are 100% DRM free, and can be played on any device. MP3s are encoded with LAME v3.97 and love.[/QUOTE]
--------------
Amazing news.
Help out real hip-hop and the new revolution in music by paying $5 for non-DRM 192kbps MP3, 320kbps MP3 or FLAC (your choice). Of course you could download it for free if you want but show your support.
[quote name=' What you are getting']You will first be asked to enter your e-mail address. This is where you will receive the download link when the album becomes available on November 1.
If you choose to pay for the record, your download will be available in the following formats:
192Kbps MP3
320Kbps MP3
FLAC lossless audio
If you choose not to pay for the record, you will receive it in 192Kbps MP3 format.
All versions include a PDF with artwork and lyrics
All files are 100% DRM free, and can be played on any device. MP3s are encoded with LAME v3.97 and love.[/QUOTE]
The Inevitable Rise and Liberation of N iggyTardust! is the lovechild of me and Trent Reznor. I met Trent when he asked me to fill the opening slot of his European With Teeth tour. After only the 2nd show he asked if I might be down to collaborate on a song or album, whatever I saw fit. At the time we were both listening to the Kanye/Jon Brion collaborations and feeling like a cocktail of our two worlds would fare even more interesting…and harder. Since then, Trent Reznor has become the big brother I never had, offering his insight, expertise, and shared desire to up the system while believing fully in the power of music and the intelligence of the masses. What we both first realized we had in common was a deep love of Public Enemy and their Bomb Squad production, which personally served as the backdrop of my adolescence and fueled the fire that matured my vision of the sort of artist I wanted to be. A lot of people get caught up on my lyrics and poetry, but my writing is always founded on beats and polyrhythmic backdrops. My background as a dancer (I used to dance for a rap group in ATL in the early 90s) has always made me crave hard rhythms. Through Public Enemy I discovered that my ability to dance somehow improved when I truly felt the power of the words. This album captures everything I have aimed for in a song. Of course, as a performer, what truly inspires me is the opportunity to perform them live. The Ni ggytardust concept sets me free to do more on stage with costume, etc. than one might expect from a regular Saul Williams show. It allows me to put my theatre training to use. I’ve also thought long and hard about all the discussion surrounding racial epithets etc. and chose this title as a means of furthering the dialogue while also showing how creativity will outlive and outshine hatred of any kind.
The album would not have been possible without the collaborative spirit Trent and the other artists involved: CX Kidtronik and Thavius Beck brought beats and fire to the vision, energizing the process with blown amps and head-nodding cramps. Atticus Ross engineered and programmed. Alan Moulder is sonic testimony from headphone to full blown that the very rocks will cry out if you work with the right engineer.
I’m also collaborating with visual artists and designers as part of the whole N iggyTardust concept and presentation. Melody Ehsani designed Tardust jewelry, bracelets, rings. necklaces, etc. and also did the cover layout. Angelbert Metoyer has contributed greatly to the visual aesthetic with paintings and soon to be finished set design for the shows.
As far as the way we’ve decided to release the album, we’re aware that it’s pretty risky, but are even more aware that we cant turn to the so-called powers that be of the industry for answers. Someone has got to be willing to take chances. I was very inspired by the recent Radiohead release and felt compelled, almost instantly, to follow my gut and expand on their concept. Obviously, independent artists have been around for years. My indie film, Slam was in fact what opened so many doors for me. yet, the stigma of being an indie artist in the music world hasn’t always been rewarding. This time I feel different. I feel like the times have conspired to make this album an important part of history.
Saul Williams
THE INEVITABLE RISE AND LIBERATION OF N IGGYTARDUST!
01) Black History Month
02) Convict Colony
03) Trigger
04) Sunday Bloody Sunday
05) Break
06) $$$$yTardust
07) DNA
08) WTF!
09) Scared Money
10) Raw
11) Skin of a Drum
12) No One Ever Does
13) Banged and Blown Through
14) Raised to be Lowered
15) The Ritual
Written and performed by Saul Williams
with Trent Reznor, CX Kidtronik, Thavius Beck and more.
Produced by Trent Reznor
Mixed By Alan Moulder
Mastered by Brian "Big Bass" Gardner
Engineering / programming: Atticus Ross
My Dearest Friends and Fans,
It is my greatest honor to present to you The Inevitable Rise and Liberation of Ni ggyTardust!,
my new album produced by Trent Reznor and mixed by Alan Moulder. The wall of sound that we've created is tagged with such graffiti that a passerby would seek out doors and ways to ENTER. Once inside a world defined by dreams come true they'd find aligned with the simplest act of sharing what we treasure. Most people aren't aware of the world of art and commerce where exploitation strips each artist down to ni gger. Each label, like apartheid, multiplies us by our divide and whips us 'til we conform to lesser figures. What falls between the cracks is a pile of records stacked to the heights of talents hidden from the sun. Yet the energy they put into popularizing smut makes a star of a shiny polished gun. The ballot or the bullet for Mohawk or the mullet is a choice between new times and dying days. And the only way to choose is to jump ship from old truths and trust dolphins as we swim through changing ways. The ways of middlemen proves to be just a passing trend. We need no priests to talk to God. No phone to call her. And when you click the link below, i think it fair that you should know that your purchase will make middlemen much poorer...
N iggyTardust!
love,
Saul