[quote name='bardockkun']Read the comic and saw it today. Thinking about it now, honestly...
I Think it kinda sucked. It wasn't the worst movie, but after reading the comic and watching this it just didn't sit well with me. I Know Mark Millar played a role in helping rewrite the script, but

I just don't understand or see why they had to change so much from the comic. It's like first half followed the comic and then it just veered off into some weird territory where they had to overly camp it up. Plus everytime I saw or heard Red Mist I only thought McLovin. The whole thing felt more like if Adam West's Batman was repackaged for this day and age and for seventeen year old's that THIS is the movie.
That and during the only scene where Big Daddy actually kicked ass I kept thinking "They're using the 28 Days Later score."[/QUOTE]
I still think people that have read the comic should still read the Paperback of Kick-Ass: Creating the comic, making the movie. It sheds some light as to why Millar went with the changes he did and how both affected each other. I mean, honestly I read the comic as well but I like the movie a lot. I didn't mind the Adam Westish talking cause I thought it was quite funny really.
Also, as for the 28 days later score,
"
John Murphy, who composed the scores for
28 Days Later and
28 Weeks Later, both of which used "In the House - in a Heartbeat" (albeit under different cue titles in
28 Weeks Later), was indeed the head composer for
Kick-Ass. He created a variant of the "In the House..." track for the sequence where Big Daddy fights in the lumber warehouse, called "Big Daddy Kills" on the
Kick-Ass soundtrack."
That's from IMDB