[quote name='007']Ziggler's work has been fantastic, though it brings up something I had been discussing during Raw on Monday... is it just me, or have they sort of 'let up' style-wise since Danielson joined the company? Before that, Bourne was allowed to do his thing, but he was one of the few. Since Danielson, it just appears to me that suddenly people like Ziggler, Danielson, Kofi, Swagger, Morrison etc. have all been given some leeway in terms of the matches they put on.
This is, of course, no complaint. It makes me doubly happy to see that, when presented with something like Bryan/Ziggler or Cena/Ziggler, the crowd is reacting loudly and truly getting behind it. It's as if someone noticed that crowds want to, you know, see wrestling.
It's not a 'complete and total' thing, obviously, as there are still people tossing out your standard ass WWE-style matches. Overall, though, it does seem like the matches are, if nothing else, much more varied in style than even a year ago.
Am I crazy here?[/QUOTE]
I have noticed this, hopefully, transition period for WWE. I think I mentioned this before, but having so many good workers on their roster must influence how wrestlers and road agents book matches. Plus, having Arn, Dean, and Mike Rotunda as road agents (or in WWE, "producers") must help us get better wrestling.
I find it interesting to see just how many second, or third, generation wrestlers are in queue for, at least, a short main roster appearance. The Anoa'i, Rotunda, Brisco, DiBiase, Colon, Steamboat, and Fifita families all have sons on the developmental roster.
Then, you have Tyler Black, Brodus Clay, and Byron Saxton, who I think could have decent careers in the E. I think most of us are familiar with Tyler Black and his ROH work. I'm not too fond of his mic work, but his skill in speaking is good enough to get him somewhere. Brodus Clay is a decent speaker, but what makes him intriguing is how he works. He's a big dude, at 6-feet 8-inches, and uses a lot of suplexes. (He made use of a bridging German in one of his FCW matches. Impressive.) Byron Saxton handles himself like a baby Rock. He doesn't have the same high-intensity swagger of Rock, but, if cultivated, Saxton could be very useful in the future--and his in-ring work is surprisingly decent, too.
Thinking about WWE developmental brought up memories of Teddy Hart and Sonny Siaki. Has anyone been more self-destructive towards their placement on a WWE roster than Teddy Hart? Guy had an easy in into the company, and he just couldn't control himself.
I made fun of him at the time, but, in retrospect, I think Siaki still had a lot more to give to the pro wrestling world. I re-watched some of his matches, and love his arsenal of moves. His delivery is reminiscent to Michael Modest or Dean Malenko. That type of crisp, vicious snap motion. I absolutely respect, and admire, him for choosing to end his career to save his brother's life.
I also remember downloading All-Pro Wrestling matches, in the late-1990s, of Donovan Morgan, Michael Modest, "Shooter" Tony Jones, Low Ki, Christopher Daniels, Bryan Danielson, Brian Kendrick, and Samoa Joe. Good times. I don't know if it's still out on the Internet, but the match that lead me to buying tapes, then later, DVDs, of pro wrestling outside of WCW, ECW, and, then, WWF, was Christopher Daniels versus Suicide Kid from All Pro Wrestling.