Disc 1 - Theatrical Exhibition:
Disc 2
- Grindhouse Feature (Planet Terror)
- Intermission Cards
- Don’t Trailer
- Werewolf Women of the S.S Trailer
- Thanksgiving Trailer
- Grindhouse Feature (Death Proof)
Planet Terror
Death Proof
- Robert Rodriguez’s 10-Minute Film School
- The Badass Babes of Planet Terror
- The Guys of Planet Terror
- Casting Rebel
- Sickos, Bullets, And Explosions: The Stunts of Planet Terror
- The Friend, The Doctor, and the Real Estate Agent
- Planet Terror Poster Gallery
Blu-Ray exclusive bonus features:
- Stunts On Wheels: The Legendary Drivers of Death Proof
- Quentin’s Greatest Collaborator: Editor Sally Menke
- The Guys of Death Proof
- Kurt Russell as Stuntman Mike
- Finding Quentin’s Gals
- The Uncut Version of “Baby, It’s You†performed by Mary Elizabeth Winstead
- Introducing Zoe Bell
- Double Dare Trailer
- Death Proof Extended Music
- Death Proof Poster Gallery
- Robert Rodriguez’s 10-Minute Cooking School
- The Makeup Effects of Planet Terror
- The Hot Rods of Death Proof
- From Texas to Tennessee: The Production Design of Death Proof
- Trailers
- Extended Werewolf Women of The SS Trailer
- View Extended Cut Of Werewolf Women of the SS Trailer with Commentary by Director Rob Zombie
- The Making Of Werewolf Women of the SS Trailer
- Extended Don’t Trailer
- View Extended Cut Of Don’t Trailer with Commentary by Director Edgar Wright
- The Making of Don’t Trailer
- Don’t Storyboard/Trailer Comparison
- View Don’t Storyboard/Trailer Comparison with Commentary by Director Edgar Wright
- Don’t Storyboards Still Gallery
- Don’t Poster
- The Making of Thanksgiving Trailer
- New York Times Talk with Quention Tarantino and Lynn Hirschberg at Comic Con 2006 Featuring the Directors and Cast of Grindhouse
- Grindhouse Trailer Contest Winner Hobo With A Shotgun
Interviewer: Do you have anything to do with the new Aliens stuff they are putting out?
Cameron: I just did a complete remaster of Aliens personally, uh, with the same colorist I worked with from Avatar and it's spectacular. We went in and completely denoised and degrained it, up-rezzed it, color corrected it from end to end, every frame and it looks amazing. It looks better than it did in theaters, originally, because it was shot on a high speed negative, a new negative that didn't pan out too well and got replaced the following year so it was pretty grainy...we got rid of all the grain and it's sharper and clearer and more beautiful than it's ever looked and we did that to the long version.