VG24/7:You’re right to say that there has to be those core fundamentals that make this feel like part of the Devil May Cry series, and combat is probably the most important aspect. How difficult was that to really nail?
AJ:Yeah it was hard. I only observed it for the most part, but it was the designers on the ground and a number of key creatives in Capcom Japan who worked on it most intensely.
In essence it was like a 25-year wisdom transplant from Capcom to Ninja Theory – from Street Fighter up to Dragon’s Dogma – everything Capcom’s ever learned about one man hitting another essentially [laughs], as well as how you hit people in the most enjoyable fashion possible.
We’ve been working on this for a couple of years, and we were at Ninja Theory about a week out of the month. We’d spend probably one day intensely on Dante’s redesign at the start of the project, and then another three out of five days on just combat, combat, combat.
It was everything from frame-counting, putting a hit stop there, no not quite like that, we have to use this sound for that move, and it was really awesome for Ninja Theory and I think they learned a lot. They’re going to be making amazing combat games for years to come now.
There are a handful of anime that I like, but I don't go out of my way to watch movies because they are animated by Japanese people. I heartily concede that y'all know more about it than I could ever teach you, anyway. For instance, another student in that spring 2007 section saw fit to correct my pronunciation of the word "anime," because I use the Japanese pronunciation (ah-nee-meh); this cheeky lad wrote--on an exam I was grading, no less--"it's pronounced a-(as in "cat")-nee-meh." Uh HUH.
Tentacled creatures appeared in Japanese erotica long before animated pornography. Among the most famous of the early instances is an illustration from the novel Kinoe no komatsu of 1814 by Katsushika Hokusai called The Dream of the Fisherman's Wife. It is an example of shunga (Japanese erotic art) and has been reworked by a number of artists.
In 1989, Toshio Maeda's manga Demon Beast Invasion created what might be called the modern Japanese paradigm of tentacle porn, in which the elements of sexual assault are emphasized. Maeda explained that he invented the practice to get around strict Japanese censorship regulations, which prohibit the depiction of the penis but apparently do not prohibit showing sexual penetration by a tentacle or similar (often robotic) appendage.