Dandeschain
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Has anybody gotton the new Sword record? I highly recommend it.
Yeah. This one became obvious to me when everyone including his brother bailed out on him - Jerry says "oh, Doyle is just taking a little break to spend time with his family" (yet never returned), and then pretends Graves and Chud never existed, all the while pretending that he gets along fine with Danzig. The dude's ego isI would totally believe that issues b/w Doyle and Jerry are a bigger obstacle to overcome than the "Danzig factor." I have no idea who the assholes are here, but all signs point to Jerry Only (christ, IIRC, he was such ain' bastard even the wrestler Vampiro comes out lookin' good in their little tiff).
One of my favorite concerts ever. I know the Samhain thing was basically just to push the box set, but...hey, I'm 29 now. I wasn't old enough to go in the heyday, so I appreciated it.Samhain/Danzig a couple years back
Yeah, agree there too. I can cherry pick a few songs from the more recent albums that are decent, but I'd much rather he try something else - especially if it's that.I'll tell you what, KR: the other interview clip w/ Danzig talking about an all-acoustic blues album is far more intriguing than anything else right now. A whole record of nothin' but stuff like "Killer Wolf" or "I'm the One"? Sign me theup.
http://blog.wfmu.org/freeform/2008/04/great-moments-2.html#commentsThe Misfits Take On Terrorists - by Mike Lupica
Eternal bearers of teenage sleaze culture, the re-activated Misfits performed on Pat Duncan's show just weeks after 9/11. The band's lineup read like a roll call of intergalactic superheroes, with genuine Misfits Jerry Only and Robo donning leather trousers and devil locks, teaming up with drummer Marky Bell (whom one FMU staffer mistakenly called “Tommy” -- earning blank stared non-recognition from the erstwhile Ramone) and Black Flag's Dez Cadena. The oldies revival set list comprised a bevy of Ramones and Black Flag covers, plus all the expected Misfits tunes into one skateboard-wielding teenager’s aural wet dream.
During the on-air interview with Pat, things took an unexpected turn for the surreal when in regard to the 9/11 attacks, the affable but fast talking Jerry Only brought calm to our wounded spirits by reasoning that America, with help from the Misfits, would hunt down those responsible. And kill them.
October 4, 2001.
But nothing, and I mean nothing can prepare you for what happens at the ten-minute mark of "Deliverance," the album's title track. Everyone I've played this part for, even people who say idiotic things like, "I hate bands that sing like that," shut theiring mouths and listen in disbelief to what these guys are doing. Well, they stop talking at least. Usually their jaws hang slack and their eyes bug out or go cross or something. I'm going to do my best to describe what happens. Opeth goes into a part where this ludicrously tight, heavy and syncopated riff that involves double bass blasts, odd timing and repetitions of five is going on. And, they play a counter melody to it! If any other band had come up with this particular rhythm (No one else could, I know, but bare with me) they would have been content to just play it. But as you listen, you will notice that not only is Lopez playing the main, off-time stuff, but that in the background he's got a third arm or something banging away keeping it all in 4/4. It just doesn't even make sense. No one can be that good. No one that is, but Lopez and his band, Opeth.