guyver2077
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[quote name='Apossum']-where the PS3 had...Heavenly Sword?)[/quote]
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After all the hubbub when Target announced they would only be carrying Blu-ray stand alone players. We wonder if Sony is getting their money’s worth. Some Target stores are now rolling out the Sony Blu-ray end caps to selected stores. Also the same stores are expanding their Blu-ray/HD DVD movie sections. The Blu-ray section is now 23 movies wide by 5 movies high (up from 4 x 5), the HD DVD section is now 7 movies wide by 5 movies high (up from 2 x 5). One other thing had us scratching our head, the Sony Blu-ray end cap had no display device, a nonfunctional player, and no players available for sale.
Although it still sounds EXCELLENT I'm sure. I'd rather studios be able to be as robust in their HD offerings as possible.Indeed, I had the opportunity to attend a special 'Transformers' media event with Paramount late last week, and the question was asked almost immediately -- why no Dolby TrueHD or uncompressed PCM? The studio's answer was that due to space limitations on the disc, the decision was made to limit the audio to Dolby Digital-Plus 5.1 Surround only (here at 1.5mbps). Unfortunately, this confirms the long-held theory that the 30Gb capacity of an HD-30 dual-layer HD DVD disc has forced studios to choose between offering a robust supplements package (as they've done here) and the very best in audio quality.
Although Paramount has used lossless audio on a few of their other releases, the space of everything they wanted to include in this set meant that instead of including a Dolby True HD or a DTS-HD MA track, they went for a Dolby Digital Plus track encoded at 1.5 mbps. There's been a lot of buzz about the difference between 1.5 mbps DD+ and Dolby True HD, with many knowledgeable people saying that there is no audible difference even on professional equipment, while others claim to be able to hear the difference right in their own homes. I was very vocal about my outrage that Transformers, which aims to be a benchmark HD DVD, does not feature a lossless track of any kind. But now, having heard the audio for myself, I can understand why professional film mixers, HD DVD technical directors, and more claim that the difference is negligible.
Put simply, this 5.1 Dolby Digital Plus rocks hard. The level of aural detail is most impressive. I could hear every click and whine of the transforming parts, the grinding of metal when the robots fought, and even the startup sound of the 360 when it comes alive. During big action sequences, the surrounds were often used to assault the senses, but I noticed that the mixers would often use the rears for isolated sounds that they wanted to highlight, such as Frenzy's gibbering when he's on Air Force One. The bass has to be felt to be believed. At times it was so thunderous that I thought it might actually affect my bowels. Everything about this track just screams "REFERENCE!" and it holds up easily to the best PCM and True HD mixes that I have heard. Call me a doubter no more.
When audio specs for 'Transformers' were announced, there was a collective sigh of disappointment from early adopters when we learned that there would be no high-res audio tracks included on this disc. Given that this is such a flagship title for the studio, the decision was quite the head-scratcher.
Indeed, I had the opportunity to attend a special 'Transformers' media event with Paramount late last week, and the question was asked almost immediately -- why no Dolby TrueHD or uncompressed PCM? The studio's answer was that due to space limitations on the disc, the decision was made to limit the audio to Dolby Digital-Plus 5.1 Surround only (here at 1.5mbps). Unfortunately, this confirms the long-held theory that the 30Gb capacity of an HD-30 dual-layer HD DVD disc has forced studios to choose between offering a robust supplements package (as they've done here) and the very best in audio quality.
That said, it is hard to imagine any film taking a Dolby Digital-Plus 5.1 Surround track to its zenith better than 'Transformers.' This is one highly-aggressive experience. Discrete effects are constant and pounding, but the lack of subtlety here is exactly what fans want. Directionality, imaging, accuracy of localized effects, and the sheer depth of the soundfield are all fantastic stuff. Even the front soundstage is a stunner -- stereo effects are quite pronounced, and when the sounds ping-pong (as they do just about any time a robot transforms), it's just as cool as the first time you heard that lightsaber effect in 'Star Wars.' If I had had this disc when I was a twelve year-old kid, I don't I would have stopped playing it for months.
Also top-notch are all technical aspects of the mix. As you would expect, this is the kind of disc your subwoofer will devour. Even at moderate volume levels I was blown away by the sheer low frequencies churned out by my poor sub. Whether you're talking about the opening attack, the sequence with that weird sand Decepticon in the desert, or any sequence during the film's last 30 minutes, there's such a sustained low bass presence that it's almost like it's another character in the movie. The realism and texture to every sound -- from the effects to the score to the dialogue -- is pitch perfect. Volume issues are also, thankfully, not a problem -- I was truly shocked that I didn't have to reach for my remote once, as dialogue is leveled nicely throughout.
Note that although I'm giving this audio mix five stars, that doesn't mean I agree with Paramount's decision to forgo high-res audio on this title. Without a TrueHD or PCM mix to compare this one to, there's no way of telling how much better such a track might have been, but based on the upgrade I've seen with other titles, I'm guessing a high-res mix could well have trounced this one. That's not to take anything away from this truly exceptional mix, but this is one case where I think you truly can improve upon perfection.
This is what I agree with most, would give up that second disk to have it.Note that although I'm giving this audio mix five stars, that doesn't mean I agree with Paramount's decision to forgo high-res audio on this title.
I would have never guessed those movies would be so high on Amazon with most of them being $10-$15 either. Wow, gee, what a surprise. When was the last time POTC was that high?
Still waiting for responses to some of my above posts. $198 A2s at Wal-Mart. You're 'selective picture posting' of the Q4 Target...C'mon buddy.
I don't think HD DVD fanboys are that scared. You seem to forget you're chosen format lost an entire Studio. We have not. You're format has 10x the amount of players in homes and can barley muster a better then 60/40 most weeks. Sad.
Plans are in the works for 4k restorations of a number of films from the Warner Bros. vault, including "Blade Runner," "Bonnie and Clyde," "Cool Hand Luke" and the Dirty Harry films "Magnum Force" and "Sudden Impact."
While launch dates have not been announced, the studio has an eye toward offering the restored titles on the two high-definition DVD formats, Blu-ray Disc and HD DVD, as well as standard-definition DVD. The "Blade Runner" release is being planned for this year, coinciding with the 25th anniversary of the film's release.
What 4k resolution offers is more picture information -- four times the amount found in today's commonly used 2k resolution.
Chris Cookson, president of Warner Bros. Technical Operations and chief technology officer of the Warner Bros. Entertainment Group, believes 4k is an important goal.
"When you are doing restoration, you want to re-create a new element to support the title for years to come," he said. "It is critical that you retain as much of the original information that the filmmaker created as possible. Unless you are willing to work at 4k, it is inevitable that you will lose a great deal of the information that was created and included in the (original) finished film.
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"The 2k master has less information than the original film did," he added. "We really need to push for 4k tools in order to protect what goes into our vault for archiving."