[quote name='2Fast']Y'know, after buying and re-watching Generations, I don't see why people hate it so much. The only things that really bother me are the random uniforms and to a lesser extent, Kirk's death(s).[/quote]
Why I Hate Generations
Okay, first I love Malcolm McDowell. I was really happy when I found out he'd be the villain in the movie. But, Soran is a boring character. McDowell does what he can with him, and certainly makes him watchable, but he can only do so much with what's there. Why is this the case? Let's check his motivation.
The Nexus. The reason the movie utterly fails for me. Here's this spatial anomaly travelling through the galaxy, and if you can get inside it, you can be happy forever. No one has mentioned it before. We'll never hear about it again. But here it is now.
See, there's this thing? It's called a holodeck. The Nexus is like a giant holodeck only not as good or convincing. Was Kirk happy? Not really. Was Picard happy? Again, not really. The Nexus gave them what they really truly wanted, which are things that most viewers would scratch their heads at and say "Huh?"
Before "Generations", did anyone really think Kirk wanted to ride horses and hang around with some woman who we've never heard about? This is his heaven? That's the best they could come up with?
Before "Generations", did anyone really think Picard wanted to hang out in an armchair surrounded by lots of kids? Didn't we cover this in the series? Oh yeah. So let's kill off his family. That way we can give him some regrets that he can forget all about later. Awfully convenient they should kick the bucket now, too.
These visions of 'heaven' are utterly stupid. On the one hand, we're supposed to believe that they are so convincing, so perfectly wonderful, that a man will obsess about it for seventy years and kill lots of people to get back into it. On the other hand, they also have to be so shallow that all it takes is a nuclear Christmas tree ornament (what the...?) to realize that there are better things you could be doing.
So, Malcolm McDowell aside, you have a villain whose motivation isn't convincing at all. Add into that that he's supposed to be Picard's dark foil -- all Soran really wants is to be with his family, same as Picard, only they make different choices. But we should be able to feel sorry for Soran, which isn't really the case, not when you're blowing up 20 million people, torturing Geordi, killing Kirk, and on and on. Are these the actions of a family man?
This could have been the story of obsession and regrets and really hard choices, but instead we get a guy who twirls his mustache and makes lots of cryptic comments about time. He should be a truly tortured soul. But he's just an evil caricature with the illusion of depth. He's as much of a plot device as the Nexus.
Good drama involves choices. There aren't many in this movie. Soran is just evil personified; we never get the sense that he actually thought about his actions or their consequences. He's just there to snarl, move the plot along and get killed at the end, like a well-behaved villain. Picard's great choice is whether or not to live in a holodeck that can't even convince him for ten minutes. No drama there. Somehow, it's a little harder to convince Kirk, but again -- same non-choice. Is there any doubt in anyone's mind that either Picard or Kirk would stay in the Nexus? Of course not. If there's no doubt, there's no drama.
Data makes a choice to use his emotion chip, which is one of the only areas where the movie actually works. We see the good and the bad that comes from this, and there's genuine emotion (as opposed to cheap manipulation by killing off family members for plot purposes) involved, no pun intended.
Everyone else (to the degree they're even in the movie) is a plot device. The destruction of the Enterprise is just a disaster flick, and nothing in there is especially dramatic since everyone reacts to what is happening and has no control over it.
"Time has no meaning here". Okay. You're Jean Luc Picard. You can leave the Nexus and go wherever and whenever you wish. How about before Soran and the Klingons kidnapped Geordi? How about behind Soran with a phaser, or on top of him, or well, anything, other than giving him a chance to win?
The reason is that wouldn't be dramatic enough, and it wouldn't give us a reason to kill Kirk. Those are bad reasons. If you're going to give a character an opportunity, then it has to be thought through, or the character appears stupid. This moment -- confronting Soran with Kirk -- isn't real life or even Star Trek -- it's Scooby Doo. "He's getting away! Get him!" "If it wasn't for you meddling Captains, I would have succeeded, too. Bwah ha ha!"
Speaking of Characters Behaving Stupidly...your Chief Engineer has been kidnapped by a madman and Klingons. During his capture, he is aware that his visor was removed. When he returns you:
A) Thoroughly scan and search him to make sure he's okay
B) Send him to sick bay
C) Send him right to engineering
Of course it's C, because that's what we need to further the plot. Geordi doesn't even think that he or his visor could be tampered with (although he has been kidnapped and brainwashed before, so you think someone might have at least asked).
Nobody notices the signal coming from him and his visor. And it just so happens that he goes right to the spot that Lursa and B'Etor need to see. I know, for example, that all of my most sensitive information is always on display on my computer's monitor.
This, I think, is an example of the movie's worst quality: things happen because they need them to happen to further the plot. It's like all of a sudden they got lazy. That's the perfect word for this movie: lazy.
They clearly wanted to blow up the Enterprise, so they concoct this stupidity with Geordi's visor. Then, of course, they want to blow up the Klingons, so they invent the Magic Technobabble that lets them get blown up real good.
This movie should have been legendary. Picard meeting Kirk and squaring off together against an adversary. Instead, it's Picard vs. an evil Lieutenant Barclay and Kirk vs. an unstable bridge. Oh my.